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Moryarty

The Oblique–Leaved Begonia Poster

The Oblique–Leaved Begonia Poster

Regular price 69,00 kr
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The Oblique–Leaved Begonia from The Temple of Flora (1807) by Robert John Thornton

Adorn your space with this exquisite botanical print, featuring lush begonias and a delicate butterfly, masterfully illustrated by Robert John Thornton, whose Temple of Flora series is celebrated for blending scientific accuracy with romantic artistry.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : R4W11

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  • "Very nice Posters. The quality is amazing and we received it very quickly !"

  • "A shop to visit absolutely. Huge selection of posters. We spent more than an hour there !"

  • "Perfect to find gift. Price are very good. An they can frame and pack it on site"

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About the Artist

Philip Reinagle was a British painter and draughtsman active during the late Georgian period, celebrated for his detailed studies of animals, portraits, and natural subjects. His expertise in observational drawing made him a respected contributor to the flourishing field of botanical illustration, where accuracy and clarity were essential for both scientific and artistic purposes.

Reinagle's work emerged during a time when botanical illustration was gaining prominence in Britain, fueled by the era's fascination with exotic plants and the expansion of botanical gardens. Collaborating with influential figures such as Robert John Thornton, Reinagle helped shape the visual language of botanical art, notably through projects like Thornton's Temple of Flora, which elevated plant imagery to a new level of cultural importance.

The Artwork

Completed in 1807, this depiction of the Oblique-Leaved Begonia reflects the excitement of early nineteenth-century plant discovery and the desire to document new species for both science and admiration. Botanical prints like this were produced to aid identification, but also to inspire wonder at the diversity of the natural world, making them prized possessions among collectors and enthusiasts.

Within the context of Temple of Flora, this begonia plate illustrates the period's belief in cataloguing and celebrating nature through art. Such vintage prints bridged the gap between scientific inquiry and the enjoyment of refined home decor, much like the selections found in botanical and classic art collections.

Style & Characteristics

The composition centers the begonia, allowing its distinctively angled leaves and delicate pink blossoms to stand out against a neutral background. Fine engraved lines and subtle hand coloring capture the plant's structure and vitality, with fresh greens and gentle pinks lending a sense of quiet elegance.

The overall mood is contemplative and refined, characteristic of early nineteenth-century botanical art. The restrained palette and precise rendering evoke a scholarly atmosphere, making this print a harmonious addition to both traditional and modern interiors, as well as a natural companion to other works in frames.

In Interior Design

This botanical print serves as a timeless focal point for living rooms, studies, or bedrooms, especially in spaces that blend vintage and contemporary elements. It pairs beautifully with natural materials like wood and linen, and its soft color accents can be echoed in surrounding decor for a cohesive look.

Whether displayed alone or as part of a curated botanical gallery wall, this artwork brings a touch of natural history and quiet sophistication to any setting, inviting viewers to appreciate both the artistry and the science behind its creation.