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Moryarty

Undergrad student art exhibition Poster

Undergrad student art exhibition Poster

Regular price 69,00 kr
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Undergrad student art exhibition (1979) by Lanny Sommese

This striking poster features a surreal silhouette where two easels form the face within a cathedral, reflecting Lanny Sommese’s signature blend of graphic design and imaginative symbolism—an iconic piece that brings both intrigue and sophistication to any living space.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : PUB172

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  • "Very nice Posters. The quality is amazing and we received it very quickly !"

  • "A shop to visit absolutely. Huge selection of posters. We spent more than an hour there !"

  • "Perfect to find gift. Price are very good. An they can frame and pack it on site"

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About the Artist

Lanny Sommese was an influential American graphic designer and educator, renowned for his conceptual approach to poster art. He spent much of his career teaching at Pennsylvania State University, where he inspired generations of students with his innovative visual language and commitment to clarity in communication. Sommese’s legacy lies in his ability to fuse graphic precision with poetic, often witty, symbolism, making his work highly regarded among collectors of twentieth-century design.

His posters are celebrated for their disciplined use of typography, inventive imagery, and a masterful balance of positive and negative space. Sommese’s contributions helped define the look and feel of American poster design in the late twentieth century, bridging the gap between functional communication and artistic expression.

The Artwork

This 1979 poster was created to promote an undergraduate student art exhibition, a tradition that played a vital role in fostering creative exploration on university campuses. Rather than showcasing specific works, the poster embodies the spirit of discovery and transformation that such exhibitions encouraged. It stands as a testament to the importance of academic galleries as spaces for emerging artists to experiment and share their voices.

Within the context of 1970s American graphic design, exhibition posters like this one served as both informative announcements and visual identities for campus art communities. Today, this piece offers a glimpse into the era’s academic creativity and the evolving landscape of student-led artistic expression.

Style & Characteristics

The poster features a striking black silhouette that evokes the interior of a cathedral, cleverly formed by two easels that double as facial features. This surreal composition is immediately eye-catching from afar, yet rewards closer inspection with its conceptual playfulness—a hallmark of Sommese’s style.

The limited palette of black and beige creates a dramatic contrast, with crisp lines and broad, flat shapes reminiscent of screen printing. The overall mood is contemplative and enigmatic, making it a standout example for those interested in abstract wall art and black and white prints.

In Interior Design

This vintage poster lends a bold, graphic focal point to living rooms, hallways, or creative workspaces. Its architectural motif and minimalist color scheme complement modern, Bauhaus-inspired, and contemporary interiors, especially when paired with other vertical posters.

For a harmonious look, echo the beige tones with natural materials like wood or linen, and use black accents in frames or lighting. This piece appeals to design enthusiasts seeking a sophisticated 1970s exhibition poster that brings intellectual depth and visual intrigue to the home.